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The Prettys Create A Feast Of Snacks For The Senses With Tapas

The Prettys Create A Feast Of Snacks For The Senses With Tapas

By Cole Young The five hour interview/feast of tapas started with an interpretive dance to Enya, ended with a drunken…

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Russian Circles Live at the Biltmore Cabaret

Friday 06th, April 2018 / 18:47
By Ana Krunic

Photo by Darrole Palmer

Biltmore Cabaret
April 2, 2018

VANCOUVER – As the last few notes of Can’s ‘Yoo Doo Right’ rang out over the speakers in the Biltmore Cabaret, the house lights faded over the sold-out venue. The few people that gave up their spots after King Woman’s opening set re-entered the fray wherever they could. Rarely is a metal band’s live show treated with such reverence, but such was the atmosphere in the room as Russian Circles stepped onto the stage and opened with ‘Station’.

Photo by Darrole Palmer

Mostly backlit throughout their set, keeping most of the focus on the music and the thick, opaque ambiance they sustained all night. They dove right into ‘Geneva’, Brian Cook’s bone-breaking bassline cutting through guitarist Mike Sullivan’s ethereal loops. Centre-stage was drummer Dave Turncrantz, as were his frenetic patterns – all three members share the musical spotlight equally, which is definitely part of their magical proggy formula.

Photo by Darrole Palmer

They moved from the triumphant sounding ‘Afrika’ straight into moody ‘Harper Lewis’, Sullivan’s gentle swells and softly plucked riffs somehow still feeling unbearably massive. The mood flowed from the joyful ‘Ethel’, into ‘Vorel’ from their new album Guidance. When they kicked into ‘Deficit’ it seemed like a moment a lot of fans were waiting for, even though they had been playing for nearly 90 minutes.

Russian Circles are masters of building and releasing tension in the most satisfying way possible. Building on riffs and letting them simmer for long minutes before launching into headbanging heaviness. Vancouver will be awaiting their return with bated breath.